Seven snaps for seven days - eight

A find of vintage threads; enjoying the label designs and the names of the colours.

Having a very happy time sorting through recent pattern acquisitions.

Cosy night in with my husband, some treats and the long awaited season three of Game of Thrones.

A lovely time having lunch with my sister for her birthday, with my husband and niece enjoying their cuddle time.

Choosing my tea cup ( the rose one at the back) and cake at the start of knitting night. Great fun, and lots of knitting!

Watching The Monuments Men at the cinema, enjoying the film and learning quite a bit.

Arriving at the pub to have lunch with a group of friends after a lovely if drizzly woodland walk. Fabulous rainbow stripes on surprisingly colourful beer kegs.

Seven snaps for seven days - seven

Lots of sevens in that title!

Loved the vibrant green of the abundant moss on the tree that I noticed during my dog walk.

Spotted my first snowdrops of the year and was very pleased to see a joyful sight on my walk in the rain.

The fronds of the weeping willow doing a crazy dance in the strong winds. The normally still canal almost had waves.

Enjoying my new favourite china brooch, a trio of narcisus that my mum gave me.

Completed week two of the Fabulous Fit February challenge! Tried out my new handwraps at Boxercise.

Mohair in amazing glowing colours at my local haberdashery.

Fabulous afternoon at patchwork group, plenty of cake, tea, chat and fabric. Completed my first paper pieced hexagon.

Seven snaps for seven days - six

I wanted something uncomplicated to knit whilst chatting or watching television. I like this matching set from a 1961 pattern and have completed the hat and started the bag in a gorgeous dark purple.

Some friends and I have set ourselves a challenge - Fabulous Fit February. It involves taking part in 5 exercise classes a week for the whole of February! This week was week one.

Having a chat and a cuddle with my husband and my dog.

Keeping cosy in my new hat knitted from a 1950's pattern.

Sunshine and showers on an afternoon walk with a couple of friends along a disused railway viaduct.

Some great finds from the local antiques centre after a very happy time poking around. Some sheet music, a pattern for a twinset, a couple of needlework books and an activity book from Woman magazine.

Getting together the yarn and pattern for my next garment knitting project - a cabled cardigan for myself.

Seven snaps for seven days - five

The first meeting of the year of book group. Just a select few of us this time but still a huge pile of books to talk about and to swap, I came away with several. A very jolly evening.

Lovely colours and textures on a silver birch tree. Admired on a walk through a birch woodland with my dog.

Two flower heads on one daffodil stem. The first one opened a good few days before the second, I have been watching its progress with interest. So pretty.

On a walk with my sister and my niece we saw two horses heads sticking over a wall. On closer inspection they were made of metal and formed the two ends of a bench.

My second time at boxercise! Very hard work but great fun and energising.

Enjoyable time going through my latest knitting pattern additions with my mum, discussing the garments, models and styling, choosing our favourites, planning our next knits and laughing at the horrors.

Much fun at knitting group this afternoon. Lots of tea, cake, chat, laughter and knitting. These are the fabulous works in progress of two of my friends.

A repurposed textile merchant's house

I spoke in my last post about visiting the Dior exhibition at the Gallery of Costume in Manchester. It is based in Platt Hall which was owned and built by Charles Worsley, a 17th century textiles merchant. He was a favourite of Cromwell, fighting with him in the civil war, and was made the first MP for Manchester by Cromwell. Sadly he died at the age of 35.

The original Platt Hall was a black and white timbered building. It was replaced by the current Georgian hall in 1746. The house and grounds (having undergone various changes throughout the years) remained within the Worsley family until 1908 when it was purchased by Manchester City Council. It had been under threat of being bought for development and would have been torn down and the land used for housing. The council purchase prevented this, the council turned the estate land into a park and the area was also used for exhibitions.

The Gallery now houses one of the biggest costume collections in the UK and I will talk more about this in an upcoming post.

What struck me as I wandered around looking at the Dior exhibition was the beauty of the inside of the house. Obviously not all it's original features and layout are intact but there are some really gorgeous parts which I felt were worth sharing.

When you walk into the entrance hall the first thing that you see is this grand staircase. This is just half of it, there is a mirror image going up the other side. I could quite imagine floating down it whilst wearing a very glamorous dress. The large pot in the cabinet is one of a pair by Grayson Perry, the artist and ceramicist. The blue rectangles contain intricate plasterwork and the alcoves are large enough for statues and maybe had them originally.

This huge window is on the landing at the top of the first set of stairs; you can see more plasterwork in the archway. The light is modern, I really liked the effect of the old and the modern together.

As you walk up the sweeping set of stairs this is what you see. A really detailed ironwork balustrade and a balcony. Standing on the balcony you can look out of the window shown in the previous picture. When you walk through the columned archway there are exhibition rooms to the right, left and straight ahead.

This is the really pretty and ornate ceiling which is in the hallway. You can see a glimpse of it in the picture above.

This lovely, ornate, intricate plasterwork is part of a fireplace in one of the exhibition rooms. Can you imagine living somewhere with such a glamorous fireplace!? I love the pale blue, white and gold colour scheme. There was so much to look at.

This shows the details of the doors and doorways upstairs. I really like the archway that goes into an area of amazing ceiling and also I like the glass archway above the door. You can just see the staircase that leads back downstairs, much less grand, I imagine it was the servants staircase.

That is the end of my little tour of the gallery. I really made a conscious effort this time to take in my surroundings, not just the exhibition that I went to see. That way, I thought I would get even more to look at and even more enjoyment from my outing.

Christian Dior: designer in focus exhibition

The Manchester Gallery of Costume

A couple of weeks ago I went on a very jolly jaunt with a group of friends to The Gallery of Costume in Manchester. The museum has permanent displays of historical costume and fashion history and also hosts temporary exhibitions. We wanted to catch the Dior exhibition and made it on its last day! I am so very glad that we did as it was fantastic!

The exhibition featured Paris and London couture and included day dresses and cocktail and evening wear. It wasn't large but it covered a wide range of styles. Most of the dresses were shown next to photographs of models wearing them at the time. The dresses, bar one, were not behind glass so it was possible to get close up and really see the details and skilled work that had gone into making them. It allowed you to see the fabric properly and to view the dress from several angles. There was also a video of a fashion show from Dior's heyday and some original sketches and lots of information about each outfit.

Original Dior sketches

Original Dior sketches and a roll of garment labels

Christian Dior launched his couture house in 1946 and his first collection, Ligne Corolle, in 1947 became known as the New Look.

So, enough from me, onto the dresses. This is a picture heavy post!

Cocktail dress and jacket, probably 1959

The cocktail dress is made of brown silk, brocaded with a gold floral pattern. This outfit is one of my favourites, although, it actually is not a Dior dress by the man himself. Christian Dior died in 1957 so this dress was designed by Yves Saint Laurent who was Chief Designer at Dior until 1960.

Ligne Aimant, Evening dress, 1956

Back view of evening dress

Model wearing evening dress

The print on this evening dress is so pretty, it is a floral silk taffeta and would be a very expensive fabric. The large florals are typical of those popular in the 1950s. It is very structural with the large, stiff bow at the front and the dipped hem which forms a train at the back. This was also designed by Yves Saint Laurent.

Ligne Verticale, day dress, 1950.

Details of tartan dress.

Similar dress on a model.

This tartan dress was a favourite of our group as it just looks so wearable, we could imagine it slotting straight into our wardrobes, in fact it would fill a tartan dress shaped hole in the wardrobe that we all felt we had. It has a lovely fitted bodice, three quarter length sleeves with cuffs and a fabulous full skirt.

Ligne Tulipe cocktail dress, 1953

Close up of Ligne Tulipe dress bodice

Such a lovely little black dress, I can just imagine wearing it to a glamorous bar and sipping cocktails! The bodice is silk with a very wide round neck. The skirt is silk satin with box pleats either side of the waist.

Ligne Zigzag, day dress, 1948

Another version of Ligne Zigzag

Another pretty little black dress. This one is from Dior's second major collection after the New Look. The bodice is simple and quite plain whilst the skirt spirals in tiers and is asymmetrical.

Probably Ligne H-line, cocktail dress, 1955

Close up of Ligne H-line dress

A model in the cocktail dress

I really like this silk coat dress, it was a gorgeous colour, a coppery, orangey brown. It is thought that this is from the autumn/winter collection. It is cut in a double breasted, empire line style and has no waist seam. I imagine that it is quite unforgiving to wear, with that high neck and fabric that would crease when you sat down. The model looks fabulous in it though!

It said that the dress belonged to Faith Eaton who was the Queen's doll restorer (what a job)! It is suggested that it was given to her as a gift by Princess Margaret, whom I imagine would have looked marvellous in it.

Ligne Corolle (New Look)

Cabaret bodice, 1947

Bodice modelled by actress Ruth Conklin

Ligne Corolle dress on a model

We were all quite amazed by the neckline on this bodice, it isn't what immediately comes to mind for a 1947 fashion. It said that it was called 'the lowest neckline in Paris' which I can well believe. It was brilliant to see 'in person' something from the New Look collection after reading so much about how it changed the direction of fashion.

The circle skirt that the bodice is paired with here was commissioned from Dior in 1949 by the Duchess of Windsor, Wallis Simpson.

Ligne Trompe L'Oeil, cocktail dress, 1949

Wallis Simpson and the Duke of Windsor

This cocktail dress was also commissioned by Wallis Simpson in 1949. The dress is made of black ribbed silk and the bodice can be paired with either the narrow skirt shown here or with the full skirt of the previous outfit.

Ligne Aimant, cocktail dress, 1956

Close up of the embellishment on Ligne Aimant dress.

I don't particularly like this outfit but the amazing amount of work and skill that has gone into making it has to be admired, It is made from peach silk, (I only know that as it said so), then it was printed with a Chinese style design and embroidered all over. It is embellished with black seed pearls and brass and copper thread. The dress is a column style whilst the jacket is more boxy and is lined in black silk velvet.

Back views of Dior dresses

Ligne Fuseau, dress and jacket, 1957

Close up of Ligne Fuseau jacket

Model wearing Ligne Fuseau outfit.

This outfit, known as 'Automne' was another popular one in our group, the red/orange colour really glowed. It is made of silk which is printed with what look like chrysanthemums but could be dahlias. It is from Dior's final collection.

These next dresses were in a different room and were behind a rope so it was only possible to take front view photos. The light was quite funny in the room, obviously to protect the dresses, so the quality of photos aren't my best. These dresses are all Christian Dior London labelled, the previous ones were Christian Dior Paris. The London franchise was started in 1952 and was a less prestigious label than Dior Paris.

Evening dress, 1957

None of us really liked this one, I think it didn't help that it looks too big on the mannequin and perhaps if I saw it on a real person who it fitted it might grow on me more. It is made of blue silk velvet and has 3 rhinestone buttons.

Cocktail dress, 1956

Although it looks a bit nothing in the photo this was a very nice dress. It is made of grosgrain silk and is decorated with a huge bow. I like the full skirt and the three quarter length sleeves.

Ball gown, 1954

This ball gown is very elegant and classic in style. It is made of green/silver shot silk satin and has a boned bodice and a full skirt. I can imagine it being worn to an awards ceremony today.

Evening dress, 1957

This dress shows a Greek influence with all the pleats and draping. It is made in silk chiffon and it's real colour is toffee brown. It belonged to Agnes Milne who was a senior sales assistant in a couple of Manchester department stores.

Cocktail dresses, 1950s

The black dress on the left is from 1956 and is made of silk satin. It is hard to see but it has a large bow attached to the left shoulder. The dress on the right is from 1952 and is made of blue flocked silk satin printed with black splodges. I really wasn't sure about this dress because the large bow on the front really is large and looks odd and misplaced.

Have you chosen which dresses you would add to your wardrobe?!