Showing posts with label fashion. Show all posts
Showing posts with label fashion. Show all posts

Monday, 29 January 2018

Photographs from the past

I always enjoy a good rummage in dusty old boxes in junk/antique shops to see what I can unearth. I had a good look a few weeks ago in my local antique shop and I found these beauties. I spent quite some time deciding which to have. I couldn't afford to buy them all and I do find abandoned photos touching. I don't like to think that no one cares about the people photographed any longer and I always think that I need to rescue them. That is coupled with the fact that I love seeing fashions worn by real people in the past. So here are the choices I made:

Edith Dolan 1940's
One fantastic thing about these photos is that most of them had names written on the back and I do like to be able to put a name to a face. Many of them also had date stamps which is so very useful, especially for the starts and ends of decades where the fashions of one are merging into the new fashions the next and clothes alone aren't always enough to go on.

Isn't she just perfect?! Amazing hair, the arches on her eyebrows, glimmering pearl studs, puff sleeved jumper. I think the jumper is a hand knit and it looks to have dark thin stripes knitted in from the bust down. I think I have a similar pattern. I would love to know more about her.

Winnie Gibson and Douglas 1940's
Winnie's hat stopped me in my tracks and she went into the 'must keep' pile straight away. It is pretty amazing and so very big! Her dress is worth a good look too with those big round buttons on the shoulders and the diagonal stripes that cross at the bust. I wish I could see the rest of it. Douglas looks rather jolly and very smart in his uniform. I hope they came through the war unscathed and were happy together.

Ethel Booth 1920's
Ethel Booth 1920's
I couldn't leave Ethel behind for two reasons. One is that I found two photos of her and I wanted to keep them together. The other is her gorgeous 1920's day wear. I particularly like the first dress, the second is very pretty but a bit floaty for me. The first however, is one that I can imagine wearing. It appears to be a leaf print with a central white bib in the front and a long, pointed collar. Lovely shoes too.

I think Ethel is older in the second photo. Her face has slightly changed shape, her eyes are more defined like she may have some make up on and she has waved her hair. Her floral print dress has pointy, plain cuffs and collar. The floral fabric appears to be see through with a slip underneath, I think the slip is lace trimmed. Great shoes again. I can't quite see what she is holding but I think it is a beaded purse and so that is what it shall be.

Elsie Godard 26th October 1930
Bob and Elsie Godard 6th April 1931
I think Elsie Godard is such a glamorous beauty and I was so pleased to find two photos of her. I just love the top one; the casually knotted pearls, the big fur collar, the sparkle from the ring, the waved hair and that beret. It looks to be tweed, possibly with a bow at the back. I want it.

It is a bonus to get to see whole of her coat in the second photo; I'm sure it is the same one. I would like to know why they are in their outdoor clothes. Are they pretending that they lived in or visited the thatched cottage on the painted backdrop? Elsie looks more set for town than country to me though. Elsie still has her pearls on and I'm wondering if that is a dress clip on her cloche? Her shoes are marvellous too, with white edged bow shaped cut outs on the front.

Bob appears to be in a rather nice three piece wool suit, I can just about see his waistcoat. I like his big turn ups on his trousers. Nice tartan scarf too. I would like to know more about them.

Hilda and I 1920's
On the back of this photo it looks like the writer (I), on the left,  has written that they were 15 and a half and that Hilda is 17. I found out who was who as the next few photos are clearly labelled as Hilda. I think from their positioning that this is Hilda with her sister and I will come back to this in a couple of photos time.

I do like these dresses. You can clearly see the dropped waist of the one on the left, it is marked by several rows of small pleats. From the waist down the skirt are decorations which look rather like rosebuds. These appear to go all the way around the skirt. Hilda's dress has printed flowers and leaves which seem to reach just above waist level. There is a lace insert in the V neck. They both have lovely pearl necklaces and Hilda is spotting some very pretty, glittery star slides in her hair.

Hilda Price 11th April 1931
I would like to know what Hilda is thinking here; she has an interesting expression. I like her smartly belted coat with the big buckle and the thick fur collar with the corsage pinned on. I think her hat is woven fabric though it is hard to tell.

Florrie and Hilda Price 1930's

This was taken on 1st November but I can't read the year of the date stamp sadly. I think it is safe to assume that they are sisters. I am certain that Florrie is the I in the first photo with Hilda.  I have studied them a lot to make the connections. I like the matching huge bead necklaces and the carefully set hair. Hilda could well be wearing the same coat as in the previous photo.

Hilda 7th My 1939
Another interesting expression. What were you pondering Hilda? This photo really has something about it. Here she is a few years older, still liking a big pearl like necklace and a fur collared coat and a star shaped hair clip.

Hilda and hubby 1930's
I loved finding this and realising that I had photos of Hilda from her teenage years to her wedding. The back of the photo just said hubby, so sadly we don't know his name. I'm surprised that the writer didn't say having been so good at writing the names in the first place.

It is a perfect vintage wedding photo. Floor length veil, gigantic bouquet, beautiful full length, long sleeved dress and the groom is carrying his white gloves. I hope they were very happy.

Hilda Price and hubby
I nearly left this one when I first found it as it isn't my kind of thing and as I said I couldn't buy them all. But then I realised it was Hilda and it kind of finished her story off for me. I want this to be a honeymoon memento and I really think it could be. It was taken in a studio that has two branches, one in London and one in Blackpool. I'm so sure that Blackpool is where this was taken, it just feels right!

I think that these photos all came from one person's collection. I wish we knew the links between them all.

Wednesday, 2 August 2017

Balenciaga - shaping fashion exhibition

In my last post I talked about my birthday trip to London and all the fun things that we packed in on our visit. One of the main exhibitions that we wanted to visit was the Balenciaga one at the Victoria and Albert Museum. It did not disappoint!

The exhibition looks at both the work and the legacy of Balenciaga. The first part of the exhibition focuses on his work, with plenty of glorious clothes to look at. The second part looks at how he influenced people that he worked with and his lasting influences on contemporary designers.


This is a photo heavy post. I couldn't choose!


These are the first dresses that you see. They show two of the influences on Balenciaga's designs; Spanish traditional costume and flamenco. I loved the embroidered flowers on the middle dress.


Stunning sleeves and such vibrant fabric.


These dresses revolved; great to get a 360 view.


Balenciaga is known for his sculptural shapes and in this exhibition there were several garments that were displayed alongside x-rays of the garment so that the internal structure/skeleton could be seen. This was really interesting.


Fabulous draping on the right hand jacket.


The x-ray shows weights in the garment.


I always enjoy seeing designer's sketches. Wish I could draw!


I would take this one!


This sari inspired dress is one of several that Balenciaga made. Unlike an Indian sari this dress is made of several parts and sits over a boned and structured under garment.


These three garments display the wonderful craftsmanship which goes into embellishing some of these garments. The beading, embroidery, use of sequins etc is just exquisite.


1960's wild silk evening dress with embroidery by Lesage.


I would happily have both of these too! I love the big bow on the second one.


A rather lovely suit with a display of tools needed for tailoring.


Another sculptural piece, a 1960's envelope dress. Look at those shoulders!

Some of Balenciaga's clothes, like other designers, were made on licence by smaller firms.


These are Balenciaga designs by the house Eisa, based in Madrid. I really like the floral dress.


Amazing!


These two outfits are from the second half of the exhibition. They are by Andre Courreges who worked as a cutter for Balenciaga from 1950-1961 when he then opened his own fashion house. Both of these designs are from 1967.


These are 1960's designs by Emmanuel Ungaro who was an apprentice of Balenciaga's from 1958 to 1964. He also worked at Eisa.


These fantastic sculptural outfits by Nicolas Ghesquiere are the result of re imagining iconic Balenciaga shapes after having access to the archives of the fashion house.


The gown on the left is an embellished beauty by Givenchy using coral, lace, glass beading and embroidery.


I adore this mass of embroidery on this jacket by Dries Van Noten.


This fabulous embroidered dress is by Erdem, influenced by Balenciaga. You can see the back the previous jacket too.


Nicolas Ghesquiere was the creative director of Balenciaga from 1997 until 2012. This is a reinterpretation of the balloon sleeve from 2006.


I really like the shape of this 2016 trapeze suit by Simone Rocha who credits the shapes of Balenciaga's work as an influence. This is interesting as it is made from a broiderie anglaise created from embroidered plastic.

It is a fabulous exhibition and is on until the 18th February 2018 if you fancy a visit.

Monday, 24 July 2017

Postcards from London

A few weeks ago I went on a birthday trip to London with my lovely friend. We have had a few visits to London and had such fun on each one and this was no exception. We go for two nights and three full days and pack in as much as possible in that time. We come away knackered with fabulous memories and it is just the best. I was born and raised in London and I still miss many things about it so it is great for me to get a visit home!

As soon as we deposited our bags we went to the Vivien of Holloway shop as we had promised ourselves a good look and trying on session. I wanted to get a feel for the sizing so that should I wish to order online in the future I would know what worked for me. The shop assistant was so amazingly helpful. I thought I might get myself a birthday dress but I ended up with a fabulous pair of shorts instead!



We then went to the Sir John Soane Museum, shown above. Sir John Soane was a 19th century architect; he built the Bank of England and Dulwich Picture Gallery. Over time he acquired these three houses and converted them to be his home, his library and his museum. He collected architectural models, plaster casts, statues and art amongst other things. He left it all to the nation on his death, stipulating that people must be able to visit for free and that it was to remain as he had left it.

It is a fascinating place if ever so slightly bonkers. The corridors are very narrow and the basement houses all the casts and statues and is rather erie. Hogarth's series of paintings - The Rake's Progress is here and we got a good look at it with a wonderful guide who told the story of the paintings in a very amusing fashion.

The museum is near Lincoln's Inn which is both a society of lawyers and the area where many lawyers and barristers are based. We had a good wonder around looking at the great Georgian architecture and all the interesting buildings.


After a power nap back at the hotel we got spruced up and went out to Brasserie Zedel for a lovely tea in it's fantastic Art Deco restaurant. We enjoyed both the food and the location very much. Before and after the meal we went to the bar, Bar Americain and enjoyed a couple of cocktails and the lovely atmosphere. It was a great night out.


The next day we headed over to Kensington. We walked past this amazing 1930's building which used to house Barkers department store.



We were heading for Kensington Palace for a look around and an exhibition.


You can explore several periods of history at the palace: the reign of William and Mary from 1689, the early life of Victoria (born 1819) and three 18th century German princesses Caroline, Augusta and Charlotte. We had a good wander around everything.

Part of an amazing staircase and ceiling
A rather smart curtain and wallpaper combo.
This dress was made of paper
So was this suit
We went to Kensington to see their current exhibition - Diana: Her Fashion story.

Diana inspired wallpaper
The exhibition was looking at the evolution of Diana's style, from the early eighties pie crust blouses to the glamorous evening gowns with powerful suits in between. It also looked at her relationship with various designers. It was interesting and there were some lovely and iconic outfits but there really were not that many. I think if we had not looked around the palace too we would have felt like we had spent a lot of money to get in for not very much.

These two dresses were my favourites, probably because of the spectacular beading and embroidery. Excuse the reflections on the photos, everything was behind glass.





The birds continued down the back of the gown.

After a walk through the grounds we went on to the Victoria and Albert Museum to an exhibition which will be the subject of my next post!

That evening we went out to the theatre.


We got marvellous seats, at half price, for 42nd Street. You can watch a trailer here and it is well worth it. I really can't recommend this show highly enough. It is a perfect musical spectacular packed full of big tap dance numbers. The scenery and costumes are marvellous and we just had the best time watching it. It was brilliant.

Inside the theatre
Inside the theatre
After all that excitement we had a slightly quieter next day. We went to the National Portrait Gallery to see the BP Portrait Award which was fantastic. Then we fancied a good walk so we went through Trafalgar Square and down Whitehall so that we could take in all the sights.


Women's war memorial
Boudica
We walked over Westminster Bridge and along the South Bank. Some of this was the route of the Moonwalk so we relieved some memories and were grateful to be wearing more than a decorated bra!

It was lovely walking along by the Thames past the London Eye, the Royal Festival Hall and Tate Modern. We went over Millennium Bridge to St Pauls and then, sadly, it was time to catch the train home. We may have had a little sleep on the train!

Such a birthday treat!